THE 100 GREATEST MOVIE
SEQUENCES OF ALL TIME

Return to Main 100 Sequences Page | Enter Your Choices!

Go to an individual sequence:
100 99 98 97 96 95 94 93 92 91 90 89 88 87 86 85 84 83 82 81 80 79 78 77 76
75 74 73 72 71 70 69 68 67 66 65 64 63 62 61 60 59 58 57 56 55 54 53 52 51
50 49 48 47 46 45 44 43 42 41 40 39 38 37 36 35 34 33 32 31 30 29 28 27 26
25 24 23 22 21 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2
NUMBER ONE

#13

Michael killing Solozzo and the corrupt police officer
F R O M
THE GODFATHER (1972)

This was the pivotal moment from the first GODFATHER film which propelled Michael Corleone into the life he really didn't want. Up till now, Michael was a normal man, just returned from the military and not wanting any part of the family business, the life of the Mafia. However, when his father, played by Marlon Brando, is gunned down, Michael volunteers to be the one to kill Solozzo and a corrupt police officer who had struck Michael at the hospital. The scene itself is a classic sequence of building tension. We know that Michael must excuse himself to go to the bathroom where a gun will be waiting for him. Al Pacino's performance as Michael is brilliant, because on his face you can see the nervousness of having to kill a person for the first time. He returns from the bathroom, sits back down, and waits for his moment. Solozzo talks to him but he's not listening. And on the film's soundtrack, we hear the growing squeals of a train and finally Michael stands up, and shoots Solozzo right in the head. He points the gun to the police officer, hesitates for a moment, and shoots him twice. It's a very grisly scene, and a very pivotal moment for the story, as Michael turns into a completely different person, and by the end of the film, he's the new Don of the Corleone family. Everything that happens in Michael's life in the remainder of the films can all be traced back to this sequence, when this one decision and action changed the entire course of his life.


P R E V I O U S | N E X T