THE 100 GREATEST MOVIE SEQUENCES OF ALL TIME Return to Main 100 Sequences Page | Enter Your Choices! |
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100 99 98 97 96 95 94 93 92 91 90 89 88 87 86 85 84 83 82 81 80 79 78 77 76 75 74 73 72 71 70 69 68 67 66 65 64 63 62 61 60 59 58 57 56 55 54 53 52 51 50 49 48 47 46 45 44 43 42 41 40 39 38 37 36 35 34 33 32 31 30 29 28 27 26 25 24 23 22 21 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 NUMBER ONE
Larry Flynt's sex vs. violence speech
This scene not only made some very good points which a lot of people should listen to and think
about, especially those kinds of people trying to control what people see and telling us sex is dirty and shouldn't be seen. But the
filmmaking techniques used to produce this sequence force home the point even more. Larry Flynt delivers this speech to a
gathering of the Americans for a Free Press after just being released from prison, where he had been jailed for obscenity charges.
Larry Flynt of course is the publisher of HUSTLER magazine, and back in the 70's faced numerous counts of ridiculous
obscenity charges, but in this brilliant and powerful scene, Woody Harrelson, as Flynt, stands in front of a huge screen which
projects images which go back and forth between pictures of nude women and grisly scenes of violence. His point is that
people get Pulitzer Prizes for taking a photograph of someone being murdered when the act of murder is illegal. Sex, on the
other hand, is legal, but taking a picture of two people engaged in the act of sex, or even a woman's naked body, will land you in
jail. And he's asking -- what's more obscene? Men marching off to war to die for a cause only the politicians believe in or the
image of a Vietnamese girl running naked after a bomb has exploded -- these images people don't seem to mind seeing in their
magazines, on TV, etc. But how about an image of a nude woman -- how can that be obscene compared to acts of murder?
The speech is a very well written piece of cinema, and a lot of good points can be learned by it. It deals strongly with America's
stigma and problem with sex and nudity, and asks us what is better -- sex or war? When Flynt poses that final question, the
screen behind him shows us an image of an atomic bomb exploding. Real powerful cinema from a very powerful movie.
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